Tuesday, May 5, 2020

Hebrew Greek Japanese And Hindu Creation Stories free essay sample

Hebrew, Greek, Japanese, And Hindu Creation Stories Essay, Research Paper Each of the four creative activity narratives had its ain manner of explicating creative activity. The Gods in the narratives were really alone in their ain manner. They all represented many different things and thoughts. Each narrative had its ain particular thoughts and features. However, all of the narratives were likewise in a manner, because they all told of a particular clip that is held sacred to all worlds. The four creative activity narratives had many similarities, every bit good as, differences. First, the Hebrew creative activity narrative told of one God who created the universe in six yearss. He made everything nowadays on the Earth, every bit good as, adult male and adult female. We will write a custom essay sample on Hebrew Greek Japanese And Hindu Creation Stories or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page He made adult male in his ain image, so he himself looked like a human. God was over everything that was pure and good. However, a snake was present in the topographic point where God had put the adult male and adult female. The snake was evil and it persuaded the adult female and adult male to disobey God # 8217 ; s wants. The human # 8217 ; s function in the Hebrew narrative was to multiply, be fruitful, and govern all things on the Earth. The Hebrew narrative consisted of merely one God, unlike the other narratives in which there were many Gods, who had a distinguishable power. The human # 8217 ; s function in this creative activity narrative is to multiply and govern, whereas, worlds in the other narratives are ruled by the Gods or worlds are non even mentioned at all. This narrative is like the other creative activity narratives because they all mention a Eden and Earth in some manner. Next, the Grecian creative activity narrative contained many Gods. The first God was Chaos. Gaia ( Earth ) was following and was a topographic point for all of the immortals who lived on Olympus. Tartarus lived in a deep hole inside Earth. Eros was the most fine-looking of the immortals. Black Night and Erebus came from Chaos. Night had Aether and Day. Ouranos ( Heaven ) was produced by Gaia to be all around her and the other Gods. She bore Pontus the seas and with Heaven she had Oceanos. Later, she bore Kronos. Gaia besides had Brontes, Stereopes, and Arges, who were Cyclopes. They each had merely one oculus in the center of their brows. They had to do and present boom and lightning bolts to Zeus. Kotos, Gyes, and Briareos were the three boies of Heaven and Earth. They were atrocious and violent. Each had one hundred weaponries and 50 caputs. They were really strong. Heaven hated them, so he threw them down into the Earth. Gaia did non like this, so she had Kronos cut off his male p arent # 8217 ; s genitalias and throw them into the sea. Aphrodite, the goddess of love and appeal, came from the cut off genitalias. Eros and Desire followed her wherever she went. Ouranos condemned his boies for their awful title and called them Titans. The Greeks seemed to hold had a God for everything. In this narrative, there was no reference of worlds, unlike the other narratives. However, like the Nipponese narrative, Heaven and Earth, were Gods in the Greek narrative, whereas in the Hebrew narrative, heaven and Earth were existent topographic points. Besides, like the Nipponese narrative, the Greek narrative told of Gods bring forthing other Gods. The Nipponese creative activity narrative began with Heaven and Earth dividing. They produced Divine Beings. Something was produced between Heaven and Earth that was transformed into a God, calle 500 Kuni-toko-tachi-no-Mikoto and seven divinities, including Izanagi-no-Mikoto and Izanami-no-Mikoto, who were male and female. The two divinities lived in Heaven and wondered if there was a state below them. They threw down a lance and found the Ocean and an island formed from the seawater that dripped from their lance. They went and lived on the island of Ono-goro-jima. They wanted to go hubby and married woman so that they could bring forth more states. So, they walked around the island individually and when they met the female radius foremost. The male did non O.K. of this so they walked around the land one time once more. This clip the male spoke first, and he said that he wished for the female to be his married woman. They began bring forthing islands, every bit good as, the sea, rivers, and mountains. Subsequently, they got together and produced person to be the Lord of the Universe. They produced the Sun-Goddess, Amaterasu-Mikami. The Sun-Goddess shone brilliantly so the two divinities sent her to Heaven. They besides produced the Moon God and besides sent it to Heaven. Next, they had Sosa-no-wo-no-Mikoto, who was average and sick tempered, so they sent him to the Nether-Land. This Nipponese creative activity narrative had many Gods unlike the Hebrew and Hindu narratives. This narrative was similar to the Hebrew narrative in that it had male and female in the beginning and they produced, but they produced different things. In the Hebrew narrative the worlds produced more worlds. In the Nipponese narrative the male and female are divinities that produced things on the Earth. In this narrative, Heaven and Earth produced a God, whereas in the Hebrew narrative, God created Heaven and Earth. This narrative was similar to the Grecian narrative because all of the Gods were produced from other Gods, and many had brothers and sisters. Last, the Hindu creative activity narrative told of Purusa. Purusa was a sacrificial God. He was the Lord of immortality and the lone Lord. He had one 1000 caputs, one 1000 eyes, and one 1000 pess. Three fourths of him was immortal up in Heaven and one 4th of him was all existences. His organic structure was divided into many different parts. From his spirit came the Moon. His eyes produced the Sun. Indra, the storm and war God, and Agni, the God of fire, came from his oral cavity. The air current came from his breath. His tummy was the sky, his caput was heaven, and his pess the Earth. Purusa was like the Hebrew God, because they were both considered the lone Lord. However, they were different because the Hebrew god looks like a adult male and Purusa does non. Purusa is a sacrificial God, unlike all of the other Gods in the other narratives. The lone reference of worlds in this narrative was explicating how the categories of people were arranged on Purusa # 8217 ; s organic structu re. Finally, all of the creative activity narratives were similar in ways, but different in other ways. The Hebrew narrative told of one God who was the swayer and shaper of everything. He made adult male and adult female to multiply and govern the Earth. The Grecian narrative had many Gods. Every God had his/her ain particular power over something. In the Nipponese creative activity narrative, Heaven and Earth made a God and many divinities. Last, the Hindu narrative told of Purusa, a sacrificial God, who # 8217 ; s parts were divided into all of the features of Eden and Earth.

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